7 Nights of the Wayne Horvitz Ensemble at the Royal Room, Seattle WA
Join us at The Royal Room in Seattle WA on Mondays (January 26-March 9) at 7pm to hear two sets by the newly formed Wayne Horvitz Ensemble. The Wayne Horvitz Ensemble is a 10 piece…...
Music for 10 Musicians was composed originally for one evening as part of a four night residency at The Stone, NYC in November of 2023. A year later it was recorded in Seattle featuring many…...
He has [d] an evened-out, coherent composing voice that contains [ed] bebop and rock, gospel hymns and country, free jazz and funk and midcentury film music and Charles Ives. There is [was] very little posturing or provocation or wackiness in it.” The New York Times
“Like all the best art, The Snowghost Sessions improves with each listen, vying hard for the top spot on year-end lists that will be rampant before we know it. Kudos to Horvitz, Harper, and Eagle, and to Songlines Recordings for this gift.” InOnTheCorner.com
“Wayne Horvitz…has had such an impact on extemporaneous music since the early ‘80s…” Keyboard Magazine
“There’s nobody else out there I hear even attempting to cover some kind of similar range… untethered to form, a sponge for inspiration and recreation, a spirit unabashedly unwilling to stop.” AllAboutJazz.com
“This music, as it was on his 2015 release, is pure Horvitz magic, but the harmonic sparseness commingled with sudden sharp melodic rises feels similar to the way the Absaroka Mountains suddenly shoot up from a vast range of farmland, dusted with snow.” The Best Jazz on Bandcamp October 2018
“…a dazzling sonic playground full of some wild rides…stretches the art of sound collage into new frontiers.” National Public Radio
“Wayne Horvitz is a fellow worth knowing, a real character. There’s never any telling what he’ll do next, except that it’s bound to be something astonishing.” Audiophile Audition
“If Sartre made a noir flick, he’d have wanted Wayne Horvitz to score it.” Giovanni Russonello, The Playlist New York Times
“Horvitz evinces a very individual appreciation of rhythm, particularly the ability to govern dynamic tension via its manipulation.” The Wire UK
“Wayne Horvitz’s music remains multifaceted and transportable, from the hinterlands of avant classical to down-home folksy charm, from small group getups to large-ensemble blowouts.” AllAboutJazz.com
“New Works was nothing short of life-changing in my development as a listener, improvisor, and all around musician. It opened me up to a new freedom of expression that I’ve carried with me ever since.” Jahnvi Madan, Composer, Clarinetist, New England Conservatory
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